Typography Task 3A: Type Design and Communication
08.10.2021 - 22.10.2021 (Week 7 - Week 10)
Seojeong Kim / 0350085
Typography / Bachelor of Design (Hons) in Creative Media
Task 3A: Type Design and Communication
Week 7:
In this lesson, we will do a new task. This is the study of work using shapes and typefaces. What we need to do is, firstly 'Do research about type design', next, 'Do sketches (approx. 5) with Different options (sans serif/serif, uppercase/lowercase)'. Also 'Identify our sketches with the 10 typefaces (the closest) that have been provided'. Finally do 'Deconstruct 3 references'.
After identifying references to the chosen design, I need to analyze the three letters. The purpose of analyzing is to learn how the letters are formed with shapes. Also observe slight differences in detail and thickness due to optical and technical reasons.
Font design is following the basics of Typography:
- Capital height
- Ascended height
- Baseline
- Mean,median line
- Descender line
Make sure when you digitize:
- The art board 1000 pt x 1000 pt
- The x-height 500 pt
- The descender line is always higher than the capital line
1. To begin, choose an existing font design that adheres to the direction that you would like to head in. Study the font carefully by analyzing its anatomical parts.
2. Start with rough sketches and upon approval begin digitization of the drawings—software for digitization shall be determined in class. Artworks shall be printed out for critique sessions followed by refinements. If time permits we shall generate the font for actual use.
3. You will endeavour to create a typeface that has the hallmarks of a good typeface; subtlety, character, presence, legibility and readability. Below are the letters you will design: a i m e p y t g d o b ! , .
4. Software: Adobe Illustrator and Font Lab 7 or 5
- ALL your letters and punctuation in adobe illustrator placed on a baseline, with x-height, ascender, descender and cap lines visible (see attached image). Font Lab (5 preferable, if not 7) Demo (or *ahem*) downloaded.
- Check for consistency in strokes thickness, for character consistency and ensure to prioritise subtly over complexity. If you did not attend the one-hour ILW session (week 8 ), make sure to watch and listen to the feedback, explanations and demonstrations here: https://youtu.be/GMG9YeEeTtU
- The bench-mark e-portfolio post in terms of research, progression, final output and overall documentation of the process for Task 3(A), is contained in Hsiao's post https://trxssah.blogspot.com/.../typography-task-3-type... — that said, different approaches in presentation is acceptable (you are all different), as long as the process consists of the major elements:
- Research (other typefaces, deconstruction 3 letters from 10)
- Exploration (sketches minimum 5, good variety)
- Digitization (document your progression)
- FontLab progression
- Font generation and basic B&W poster
Task 3A: Type Design and Communication
Research: font design has to adhere to the typography guidelines such as baseline, median, ascender and descender, as well as typography basics on my research.
These pictures are my font references from the font web site. My concept that just came out of my head is a 'simple' font and a 'angled shape' font.
Sketches:
- After doing a lot of research, I thought deeply and sketched out my typography in my notebook. I now realize just how difficult it is to make typos by myself. It was very difficult to make a simple but attractive typography, but I found this to be even more attractive.
Digitalize:
- This is the first 'A' I made, but Mr. Vinod saw this and said it didn't match the other alphabets. I didn't understand it at first, but after listening to his explanation, I could understand what he was talking about. So I thought I'd get rid of the pointed part above the 'A' later on.
- This is my finished example. And Mr. Vinod saw this and said it was ok, but he said it was a bit awkward. The 'E, O, G, B, !, ., ,' of this is fine, but he told me to make the rest of the shape according to the 'O'.
After Feedback:
FontLab 7 Progression:
- At first, it was very difficult to use FontLab. However, after slowly using it and learning it, it was a very enjoyable task.
- Firstly, I copied the shapes in Adobe Illustrator and paste it as a vector file in FontLab. I adjusted the fontLab guide lines to fit the design, and clicked again to match the fonts of the wrong size.
My outcome were by like this,
Final Outcome with PDF
1:
2:
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